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From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 will give engineers the musical and fat tone that has made the hardware so famous. No expense was spared to capture every nuance of this classic sounding compressor/limiter. The FG-116 is the most precise digital replication of the classic American FET limiter. It is great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers. This is the ultimate workhorse mix eq that can be used on any track. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. The FG-S is a digital recreation of one of the most famous British console equalizers from the 80вЂ™s. It sounds great on everything from drums to vocals, and can even add the perfect saturation to synth and electronic tracks. The original model only contained one mid band, so we thought it would be nice to double it so that it has two mid bands. All aspects of the circuit are modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The FG-N is a digital recreation of one of the most classic discrete Class A British equalizers from the 70вЂ™s. Audition signal chains faster, easier, and in real time with the Slate вЂVMRвЂ™. Moving modules around is easy, fast, and creates no break in audio playback. Chain an EQ before or after your compressor. Mix and match filters from different EQs. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose.

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The вЂVMRвЂ™ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW.

Push the вЂњSвЂќ on any module to hear it alone in the signal chain, and hit the вЂњpowerвЂќ button to turn it off.Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed. You can load up to eight modules at once into VMR, but itвЂ™s still easy to solo or mute any of the processing modules you have loaded using the Solo and Power buttons. To A/B the signal chains against each other, just press the A or B button in real time to hear that signal chain in action. Once cloned, you can change some parameters on the alternate path, or even swap out entire modules. With VMR itвЂ™s easy to clone an entire signal chain for comparison вЂ“ just press the right arrow and everything currently on path A is copied to path B. You can also drag to reorder the modules as well. You can easily see all of the processing modules installed in the Library Pane, and you just drag and drop to get them into the signal chain. You can change the vibe, color and sound of your mix with a single click and easily undo and redo your changes. VMR 2.0 comes with seven default Dream Strips, although you can remove them and make your own. Now you can instantly start mixing with the modules you use the most.

So whenever VMR 2.0 is launched the leftmost Dream Strip always loads first. VMR 2.0 opens with your own custom dream channel strip by default. VMR 2.0 ships with the Mix Bundle One, which contains four Slate Digital processing modules: FG-401 Compressor, FG-S EQ, FG-116 FET Compressor and FG-N EQ.

But even beyond the sound you can get with VMR 2.0, you also get the added bonus of speed and efficiency from having your entire processing chain in one convenient window. Choose from dozens of modules including vintage modeled EQs, compressors, enhancers, filters, preamps, mixing consoles, and more.

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VMR 2.0 allows audio engineers to easily create the channel strips of their dreams using a library full of analog modeled plugins.

Added a вЂњSearch ModulesвЂќ feature in the Library.

Introduced the Oversampling option (through Settings menu).

Removed Noise from the following modules: FG-N, FG-S, FG-Stress, FG-73, FG-76.

Dream Strips вЂ“ 8 Instantly Recallable and Customizable Channel Strip Configurations Accessible with 1-Click.